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Tuesday, 29 December 2009

MAGADHEERA

Magadheera

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review : magadheera
Genre: Romance/Action
Type: Straight
Banner: Geeta Arts
rating: 3.5/5

cast: Ram Charan Teja, Kajal Agarwal, Srihari, Sunil, Brahmanandam, Sarath Babu, Rao Ramesh, Surya, Mumaith Khan, Sameer, Sekhar, Kim Sharma, Saloni & Hema

Music: MM Keeravani
Sound suvervision: Kalyani Malik
Cinematography: Senthil Kumar
Dialogues: Ratnam
Art: Ravinder
Editing: Kotagiri Venkateswara Rao
Fights: Peter Hynes & Ram Lakshman
Styling: Rama Rajamouli
Co-producer: Bhogavally Prasad
Story: Vijayendra Prasad
Screenplay, & Direction: SS Rajamouli
Producer: Allu Arvind
Release date: 30 July 2009

Review
Story

The story happens in the year 1609. Kala Bhairava (Ram Charan Teja) is the protector/cheif guard of Udayghad kingdom. Mitra (Kajal Agarwal) – the heir princess is in love with him. But there is a bad relative of the king who wants to marry her. Sher Khan (Srihari) plans to invade Udayghad. In the process ensued, all of them die. These four people take rebirth after 400 years in the contemporary era. Harsha (Ram Charan Teja) is a race biker. He falls in love with Indu (Kajal Agarwal). And a bad guy called Raghuveer is after her. The rest of the story is all about how they trace themselves back to the past and settle the unfinished business.

Artists Performance
Ram Charan Teja: Ram Charan’s performance in his debut film Chiruta is like a show reel of what he is capable of doing. In this movie, he gets an opportunity to do some real good performance and he performs them convincingly with effortless ease. And he had gone through tremendous physical toil in this film as it involves horse riding, sword fighting, dances and many more. His dance in Bangaru Kodipetta after the completion of Chiranjeevi’s appearance is stunning. He is gifted with a good voice and he should fine tune it further to come up with pristine Telugu diction.

Story - screenplay - directon: Story of the movie is about rebirths. Rajamouli opened the movie by revealing the story right in the first episode. The challenge lies in Rajamouli’s handling of telling the story interestingly to the audiences though audiences know what he is going to narrate. Screenplay of the movie is good and the Rajamouli trade mark commercial paybacks are nicely inserted at regular intervals. Rajamouli who made a self-confession in the past that he is weak at narrating love stories makes a nice effort to come up with a convincing love story that penetrates eras and generations.

The following three episodes are visually extraordinary

1. The opening sequence.
2. The shot where hero and heroine go to Bhairava to perform poojas.
3. The shot involving of elevating camera on top angle between two pillars in flashback episode.

The following commercial payoffs will work big time

1. White Chunni thread (just like the thread of medal in Yamadonga film)
2. Picking up four important characters from the past and get them closer in the current time.
3. Ending the movie from where it started in the opening episode (usage of same weapons, location, sentiment etc)
4. Aghora tells villain how to recognize the hero. And the same symptoms occur during helicopter fight before interval.

The following scenes will create an impact:

1. The horse coming back to help the sinking hero.
2. Kill 100 people episode (inspired by 300 movie killing style where killing is shown more like poetry than a gore element). The opening credits have the counting of 100 as the backdrop and we realise the importance of it only after watching the last fight of the flashback.

source: idlebrain.com

ARUNDHATI

ARUNDHATI TELUGU HIGH QUALITY MOVIE

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Part-1 Part-2 Part-3 Part-4

Cast: Anushka, Sonu Sood, Deepak, Manorama, Sayaji Shinde, Kaikala Satyanarayana, Ahuti Prasad, Annapurna

Music: Koti
Dialogues: Chintapally Ramana
Cinematography: Senthil Kumar
Visual effects: Rahul Nambiar
Art: Ashok
Editing: Marthand K Venkatesh
Story – screenplay: Mallemala unit
Direction: Kodi Rama Krishna
Producer: M Shyam Prasad Reddy
Release date: 16 January 2009

Story

Arundhati (Anushka) belongs to Gadwal samsthanam in 1920’s. She is known for her bravery in saving the Samstanam by killing Pasupathi (Sonu Sood) an evildoer who creates ruckus in that place. She is praised as Jejemma (named after the famous Goddess in that area). But the spirit of Pasupathi haunts that place. Another girl is born in the same lineage after 3 generations and she is named as Arundhati. The spirit of Pasupati is after Arundhati to take the revenge. The rest of the story is all about how Arundhati puts an end to the evil spirit of Pasupathi.

Story - screenplay - direction: Story of the film is good. Screenplay is very good. The beauty of this screenplay is about revealing the story and information in parts. There is always something to look forward to with anticipation in the film. It possesses one of the best screenplays in the recent times. Direction by Kodi Rama Krishna is very good. However, there are a couple of violent scenes that are disturbing to the family crowds. You can see a few Hollywood inspirations like Lord of the Rings, House of Flying Daggers (drum dance), Final Destination 1 (car - train episode). A couple of episodes (the thread of drum dance by the guru & establishing Arundhati as the warrior) should have been more effectively established.

Analysis: First half of the film is excellent and the second half is good. The plus points of the film are performances, screenplay, technical values and grandeur. The only negative point I see in this film is violence (got an A certificate from censors), which is very much required for the film to be effective. After a long time, I watched a Telugu film that has both content and technology rightly mixed to give a vibrant output. Arundhati is a film which you can proudly show it as a Telugu film to all your non-Telugu friends. And it will live up to the adjective of ‘Magnum Opus’. Two thumbs up to Shyam Prasad Reddy for making a brilliant film. Don’t watch it on internet or pirated DVDs. Arundhati is a film that must be watched in a good theater with nice sound/projection system.

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ANASUYA

ANASUYA-2008 telugu movie H.Q.

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amaravathi

Amaravatahi

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film review : Amaravathi
Cast : Bhumika, Sneha, Gadde Sindhura, Tarakaratna, Allari Ravi Babu, and others
Dialogues : Nivas
Music : Sekhar Chandra
Cinematography : Sudhakar Reddy
Editing : Shankar
Art : Narayana Reddy
Fights : Kanal Kannan
Produced by : Ananda Prasad
Banner : Bhavya Creations
Story, screenplay and directed by : Ravi Babu
CBFC Rating : A
Release Date : Dec 03, 2009

What’s it about!

The film is set in Mutyala Revu. Amaravathi (Bhumika) and Seenu (Tarakaratna) are childhood buddies but are separated once they become adults as Amaravathi's father doesn't like his daughter becoming close with this low class guy. Seenu is completely obsessed with Amaravathi. Years later, a series of killings happen. A serial killer is on the prowl to snatch babies from womb of pregnant women. Seenu is the prime suspect and is arrested by Special Task Force police officer Venkat (Ravi Babu) and his associate Kiran (Gadde Sindhura). Even after his arrest, murders continue to happen. And it is revealed that the killer’s next target is Venkat’s pregnant wife Lata (Sneha). Who is that serial killer and what is his motive is told in eerie manner in the later sequences.
Analysis

After much-liked thriller Anasuya and critically acclaimed Nachchavule, director Allari Ravi Babu comes up with this thriller - Amaravathi. Although there are many similarities between his Anasuya and this Amaravathi, this latest thriller’s storyline and some scenes are hard to digest. A killer snatches babies from the womb from several pregnant women when they are in last stages of pregnancy. Such cruel acts are also shown by the director visually. Such extreme scenes might faint weak-hearted. Despite some good thrilling moments, some suspenseful scenes, not everyone can stomach horrific acts like babies taken away from womb. Although it starts off well, and holds attention in many parts, on the whole, the movie is too gore and puts you off.

The film is technically sound with rich visuals and good artwork. Yet, the atmosphere and police vans all look unnatural - where did you find such hi-tech task force setup, ultra dressing style for cops, posh vehicles in Andhra Pradesh?

Performances

Bhumika as Amaravathi is okay. She hardly has footage in the film but does her job perfectly. Sneha as Ravi Babu’s wife is adequate. Although there is no proper ‘lead hero’ Ravi Babu acts as such in major part of the film as upright task police officer and he carries it off well. Tarakratna, for the first time plays negative role, is decent. Gadde Sindhura as cop scores among all the actors.
Sudhakar Reddy brings rich look to the film with his topnotch camera work. Ravi Babu seems to have inspired by several Hollywood and Korean thrillers and included them well in his screenplay. Ravi Babu keeps the suspense element till the end by his screenplay but scares the audiences with his ‘extreme’ script. Music and dialogues are okay.

Bottom-line!

Amaravathi is certainly not for the weak-hearted as it is hard to digest some ‘extreme scenes’. Although it has some interesting scenes, on the whole, it fails to impress like his earlier thriller ( Anasuya).

Rating 2.75/5

baanam

BAANAM-2009 -TELUGU MOVIE

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review : Baanam
cast: Nara Rohit, Vedika, Sayaji Shinde, Bhanuchander, Rajeev Kanakala and others.

Action: Ram-Laxman.

Art: Bhupesh R. Bhupathi.

Banner: Three Angels Studio.

Cinematography: Anil Bandari.

Dialogues: Nagaraju Gandham.

Editing: Marthand K. Venkatesh.

Music: Mani Sharma.

Producer: Seshu Priyanka Chalasani.

Story, Screenplay & Director: Chaitanya Dantuluri.

Release Date: September 16, 2009

Story-

Bhagath (Nara Rohith) who is brought of as an orphan completes his studies and gets preparing for Civils. His mother dies in his childhood and his Dad (Shiyaji Shinde) who is the naxlite (Maoist) jumps in to the river when police corners him. This happens when Bhagath is young and he presumes that his Dad is dead when he jumped in to the river. Actually Shiyaji is still alive after jumping in to water, he comes back to live normal life.

Bhagath's goal is to become a IPS officer.

Subbalakshmi is simple and sincere girl and she meets Bhagath in Railway station. By the time she meets Bhagath she is just married , but her husband leaves her on Railway platform for not arranging the promised dowry by the parents of Subbalkshmi.

Bhagath takes her to his home and tries to solve the problem. But her husband and other relatives of her husband refuse to take her back. She then removes the MangalasutramOn the other hand, Shakthi is the local Goon who runs the show with the links of local police. Bhagath has to face the bad guy Shakthi and Shakthi tries to kill Bhagath when latter was going to join police Academy for IPS training. Shiyaji Shinde comes in between and he gets killed.

How Bhagath takes on the bad boy Shakhthi is the remaining story.Performances-Nara Rohith who made his debut as hero definitely has screen presence required for a hero of Tollywood. But the role he has chosen doesn't have the much strength to show his various skills as an actor. At the same time, he has to concentrate on his expressions and dialogue delivery.

Vedhika- beautiful and simple and she has done the role given to her neatly, as for the the requirements of that particular role.

Director must have done some more research work on script to make it a big hit.

Finally, it is good effort by debutant director and hero, we have to wait and see how the people would receive this new hero with politician's family.
sorce: hotclix

Friday, 25 December 2009

SALEEM

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Cast: Vishnu Manchu, Ileana, Mohan Babu, Kaveri Jha, Venkat, Napoleon, Mukesh Rishi, Jaya Prakash Reddy, Ali, Master Bharat, Jeeva, Benerjee, Giribabu, Raghu Babu, Telangana Sakuntala, Pragati, Hema, Ramya Sri etcCast: Vishnu Manchu, Ileana, Mohan Babu, Kaveri Jha, Venkat, Napoleon, Mukesh Rishi, Jaya Prakash Reddy, Ali, Master Bharat, Jeeva, Benerjee, Giribabu, Raghu Babu, Telangana Sakuntala, Pragati, Hema, Ramya Sri etc

Music: Sandeep Chowta
Cinematography: C Ram Prasad
Dialogues: Chintapally Ramana
Art: Anand Sai
Fights: Vijay
Editing: Kotagiri Venkateswara Rao
Lyrics: Chandrabose
Story - Screenplay: YVS Chowdary, BVS Ravi & Gopi Mohan
Direction: YVS Chowdary
Executive producer: Ashok Kumar Raju
Producer: Dr. Mohan Babu M
Release date: 12 December 2009

Story

Satyavati (Ileana) is the daughter of a rich and idealistic landlord/factionist in Rayalaseema. She is brought up in Europe for the past 15 years. She visits her home town after a long gap and she is attacked by the rival factionist. Munna (Vishnu Manchu) comes from nowhere and rescues her. Then he settles in her house as a worker and earns the love and trust of all Satyavati’s family members. He loves Satyavati. But Satyavati’s father wants to marry off to another guy. Just about when the marriage is going to happen, it is revealed that Satyavati has a lover (Venkat) from Europe and she uses Munna to help her escape to Europe. Just when Satyavati goes to Europe, it is revealed that Munna is none but a mafia kingpin from Bangkok called Saleem and Satyavati lover’s brother is none but a dreaded European don called OJo a.k.a. Ogiraja Jogayya (Mohan Babu). The rest of the story is all about how Saleem wins Satyavati over with his one-side love and his encounters with OJo.

Artists Performance

Vishnu Manchu: Vishnu Manchu has toned down his body and looking stylish and lean in his new Avatar. He improved tremendously in all departments compared his earlier movies. He worked really hard in dances and it shows up. He used different Telugu dialects with good effect. And the credit for his looks should go to his wife Veranica who did the wardrobe and styling for Vishnu. Vishnu looks dashing in this movie.

Ileana: It’s no wonder that YVS Chowdary said in audio function that he loves Ileana manasikamga. Ileana is excellent in the film. All fans of Ileana (including me) are bound to have a whale of time watching Ileana on the big screen in Saleem movie. Her perfect figure/physique was aesthetically exploited by YVS Chowdary. I haven’t seen so many close-up shots on midriff area on any other heroine in any other film. There are two songs dedicated to Ileana and the last song (I wanna talk to you) is a treat with Ileana exposing the most of it.

Mohan Babu: Mohan Babu comes up with another fabulous and entertaining performance in Saleem. He did the role of a comedy villain and he is at his best when he says ‘Boom Boom Bhulak’. He excelled while uttering the dialogue – ‘lopala em jarigina, bayata positive talk cheppali’. His song with Kaveri Jha must be the best song in his career. He is wonderful in the song.

Others: Kaveri Jha is dazzling as a lady who makes Mohan Babu a bakra in the movie. Her sexy physique is also tantalizingly exploited by YVS Chowdary. Ali is partly entertaining as a Sangeet consultant. Napoleon is alright as noble father. Venkat fits bill as a lover without substance.

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Technical departments

Story - screenplay - direction: Story (prepared by YVS and developed by Gopi Mohan and BVS Ravi) of the movie is perplexed. It has a little of resemblance to the story line of Namaste London. And parts of screenplay is adapted from movies like Ready (Kaveri becoming a character of Mohan Babu’s imaginative story), Wanted (curving bullets), Tashan (Don Anil Kapoor learning English from a sexy teacher), Gudumba Shankar (choreographer for wedding), Arya (one-side love) etc. There is no honesty in story and the love projected in the movie. The screenplay (Gopi Mohan and BVS Ravi) leaves a lot to be desired. Direction is good in parts, but eccentric most of the time. YVS Chowdary seems to have concentrated more on getting a rick look to the movie than the working on the basic act of storytelling. Money should be spent on good story. But stories should not be prepared to spend money. Saleem appears like a story prepared to spend good amount of money to capture Europe and Bangkok.

Other departments: Music by Sandeep Chowta is good. The best songs in the film are Mohan Babu’s song followed by Ileana’s pre-climax song. Dialogues by Chintapally Ramana are clichéd (for example, saying o pani aipoyindi after killing a guy). Cinematography by Ram Prasad is of top class. He captured lush locales of swiss in a beautiful way and he has shown Vishnu and Ileana excellently. Graphics work should have been better (especially the scene in second half where Vishnu is hanged upside down and bangkok flight/runway episode). Editing needs to be crisp (the runtime is almost three hours). Production values by Lakshmi Prasanna Pictures and Big Pictures are superb.

Analysis: Saleem is an example of what happens when the director loses his grip on story and goes on showcasing rich production values. Saleem’s first problem is the perplexed story line (YVS Chowdary, Gopi Mohan and BVS Ravi). The second problem of the film is the screenplay (YVS Chowdary, Gopi Mohan and BVS Ravi). One wonders why Mohan Babu accepted to produce such a feeble and flimsy story by spending 23 crores of budget. First half of the movie is adequate. The interval bang is interesting. Second half is a complete letdown except for Mohan Babu’s comedy and Mohan Babu’s song. There is a bit of vulgarity in the movie (especially jana bethedu dialogues for the stats and intimate parts of the heroine). It’s high time for YVS Chowdary to concentrate more on story and less time on other aspects like concentrating on heroine and big budgets. On a whole, Saleem disappoints.

src: idlebrainreview

kurradu

KURRADU

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Pravarakyudu

Pravarakyudu

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Cast: Jagapathi Babu, Priyamani, Brahmanandam, Ali, Sunil, Hamsa Nandini, CVL, Chalapaathi Rao, Rajya Lakshmi, Madhu Sharma, Dharmvarapu etc

Music: MM Keeravani

Cinematography: Surender Reddy

Editing: MR Varma

Story - screenplay - dialogues - direction: Madan

Producer: Ganesh Indukuri

Release date: 4 December 2009

Review

Story

Sasi (Jagapati Babu) and Sailaja (Priyamani) are good friends during their post-graduation time. They think they are in love. But Sasi’s ideology about love irritates Sailaja and both of them separate their ways. Sasi settles as a professor in Harvard University. He comes to Hyderabad to look out for a suitable girl. He then realises that Sailaja works as a principal in a women’s college and she is unmarried too. The rest of the story is all about how Sasi makes Sailaja fall in love with him again.

Artists Performance

Jagapathi Babu looks very handsome in the role of a charmer. Priyamani is gorgeous in this movie and oozes natural oomph though she wore traditional dresses. Hamsa Nandini is neat in a small role. CVL makes a mark with his nice diction. Brahmanandam’s role is partly entertaining. Sunil and Ali are routine. Madhu Sharma sizzled in a cameo. Dharmavarapu Subramanyam has some nice dialogues.

Technical departments

Story - screenplay - direction: Pravarakhyudu is a separation-reunion story of lovers. These kinds of separation/reunion stories should be supported by strong and convincing reason for separation. The reason of separation in the movie is flimsy and hero character never bothers to find out what happened to the heroine after the separation. When hero starts approaching heroine again after a big gap, heroine shows forced restraint without bothering to know what he is trying to convey. Madan who has strong writing abilities came up with a few interesting scenes. But lack of engaging screenplay and too many unnecessary scenes mar the narration. I liked the way heroine imagines the things visually and director used a nice technique there.

Other departments: Music by MM Keeravani is an asset. All songs are good and background music is excellent. Except for temple song, none of the other songs are placed in right situations. I liked the way he used ‘vivaha bhojanambu’ tune for ‘you wanna taste this’ episode (Jagapati Babu cooking). Dialogues are good in parts. But too many dialogues made this movie a verbose film. Cinematography by Surender Reddy is excellent. Art direction for the temple set is good. The quality of postproduction of the movie (color grading) is superb. Pravarakhyudu is one of the very few Telugu films made with top technical standards in this year. The credit must go to the producer Ganesh Indukuri who blindly believed the director and spent enormous amount of money on production and post-production activities (including a costly temple set and African safari). The producer has painted the entire city green with the posters of Pravarakhyudu (if you travel by PV Narasimha Rao’s 12 km express highway, you see only posters of this movie).

Analysis: You will find the descriptions in novels very useful to imagine and get interested in story. What happens if the same descriptions are converted into dialogues and rendered in a feature film? You will end up finding the entire movie verbose. That is the primary problem with the narration of Pravarakhyudu movie. First half of the movie is little boring. Second half is better. The plus points are Jagapati Babu and production values. On the flipside, screenplay is not engaging enough and narration lacks substance. Despite of the above mentioned flaws, Pravarakhyudu still offers something for family crowds.